Reds – Guest Post: Michelle Ortega

Welcome. Today’s offering is wrapped in beauty from my writer friend Michelle Ortega. Her heart and her art are bursting with loveliness. And love.

Michelle and I first met at Tweetspeak Poetry, a community and online trove of treasures for poets and artists and lovers of beauty, merriment, mirth and laughter. And all things poetry.

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Reds

when my longing

to belong

protests my need

to be free

the fracas

that ensues

impedes peace

I dream

this tree

branches high

above me

unsure how

to proceed

I look up

to see leaves
of fire
overhead
pentecostal reds
limbs stretched
wide
to meet
to greet
the beat of
autumn
wind’s
swirlingflutter
roiling dance

in the moment
holding fast
all too soon
the seasons pass

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About The Writer: Michelle Ortega IS. Her passions include mothering, loving on the meek and outcast, writing poetry and photography (in any given order as opportunities arise).”

Scenes From A Day In The Life Of A Woman Longing For Christmas Joy

Titles should be short, pithy and easy to skim. Oh well. I grant myself grace in the area of this rule, this day. And I am hoping you will too. (Says the poet to herself and to her patient readers).

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The birds come to the feeder late. I know how they feel. Hunger strikes out of the shadows of the gray. And there is comfort by the window sill. I watch them feed as they befriend me on the warm side of the cool pane. I wonder if I bring them even an ounce of the comfort they bring me.

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I am unpacking boxes. They come, thrown my way like confetti. That which is left for the street cleaners at the end of a seemingly unending parade. I cannot not look. I cannot not clean. I press on. Each box a memory. A yearbook from 1944. War was. War is. Change comes. And we still hunger after peace. I open the musty navy blue leather and peek. It is all I can do. My skin and bones and flesh and soul can only feel so much of the memories I must unravel. How can I not honor the dead. How can I bear the stories that are only half way laid to rest. How can I hurry by the legacy of the buried. The dead. Pausing I nod. Pausing I acknowledge. The pages are a hiding place for more. Someone has tucked a dozen black and white photographs inside. And I must look all the way back. It is 1940 something. It is 2014 or something.

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The music plays loud. Then dolce. Then deafening. I do not dare go without. It is my mana, my sustenance, my companion. It mirrors the wait. It echos the longing. It speaks for me. It whispers, even loudly, the reminders of hope. I pluck songs out of the airstream and swallow them. Hungry for the phraseology of hymn and song and poetry of each tune. Without the music these days, I feel I may starve my soul. Hungry am I for the notes to wash over me. Hungry for Christmas in every line. Hope rides on the backs of the black and white sharps and flats. And I find comfort. While I wait for the joy.

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The books can entangle me the most. We have hidden things within the pages. We have used them as a repository for our lives. We have documented our living with their titles. There are series and seasons of titles that remind. Of craving organization and longing to steward well. Of birding and birthing and boating and raising our children. Preparing them for flight, on the other side. To the other side. Away. There are books we read. And books we never did. I grieve. And among them a book from a friend. Written in french. I look for room. I am running out. Of ideas and room. Of patience and space.

But I crack the spine and find her words written in 1978 to me. I cannot weep. For if I start, I may not stop. I am battling emotions which come and go. My heart, it longs for Christmas. It is 1970 something. I went to Paris without her. I remember it well. I cannot weep.

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I cannot escape the banging. The clamoring. The sounds of nails driving into the wood. And I remember the time, 33 years, from my creche with the baby in the manger. Until the cross. And I wonder if the people building this home, know the cost. They do. Monetarily. But every day the nails are hammered. Hundreds. And I hear nearly every one. The work. The patience. The hours. The noise. The sacrifice. Why do they need a home so grand. It looms. And is large. Maybe they, like me, have memories to house. To store. And the books. With no where to go.

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I go back to my unpacking, my music, turning up my favorite carols and hymns. They help buffer the hammers and nails. And I excavate. And unpack. And long, really hunger for Christmas. And pray that the old cravings for more subside. Pray that simplicity will invade my living space. And hope that this weary world will prepare Him room, as Heaven and nature sing.

And I trust with all that I am and all that I have, that Love will come down at Christmas.
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Joining Beth at just be beth dot com for Unforced Rythms

Begotten Not Made – Guest Post: Seth Haines

I have gathered a few writer, poets, friends for a series of guest posts. Today I am  privileged to have a writer whose work I have marveled at for a little long while.

I could tell you a few things about this fellow Southerner, father of four boys who practices law, writes poetry and oh, is a musician as well. (He left a few things out of his bio, so I added them here. Host’s prerogative.) But his words tell well on their own.
Welcome Seth and his poetry.

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Begotten Not Made

And though he birthed the star alight,
he took to manger underneath
the humbled cry of stifled speech,
of own begotten form.

He suckled there at woman’s breast,
the mouth of God on human skin
he spoke before the world began,
to birth begotten form.

Confined to flesh and swaddled limbs
restrained his own eternal power;
the starry hosts in witching hour
announced begotten form.

And when the kobalt sky was new,
with blushing east and rising love,
creation ceased its groaning song
and held begotten form.

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Seth Haines

Writer: sethhaines.wordpress.com

Editor: A Deeper Church

Contributor: Tweetspeak Poetry

Curator: Mother Letters

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Joining Laura, a Monday tradition.

The Concrete Bench (Unseen, Behind The Lens)

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The Concrete Bench

You would have no way to know

For I am showing you only beauty

It is what I frame, in the imaginary crosshairs

Of my lens

Cropping out ugly, should it

Creep into my viewfinder

As I sit alone, in grateful solitude

On a bench I call my own

Made in my imagination

Just for me, grey, stone-cold, sturdy

To

Reflect

And be reflected

Dream and watch the dreams float by

Held

And undergirded, by the sea

The seen and unseen

Pass me by

While I count the joy and toss the pain

Into the sea, a salty grave

For tears