Come Sit Beside Me, Please

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Come Sit Beside Me, Please

We all need a call to wake up
To attend to right now, right here
With a quorum of the senses reporting for duty
To cast their vote, for slow

Not like we need food and shelter and all the things in Mazlow’s hierarchy of needs
But, like we need poets and psalmists and prophets and spring
And two thin slices of white bread, to be soft enough to hold a thumbprint soft
So that when thick cut bologna bound with red wrapper and Dukes mayonnaise conjoin to Be pressed forward on the roof of one’s mouth, it’ll stick, (serving its white bread pre-Destined purpose of being bookends for meat) later requiring manual unsticking
And requiring two Diet Cokes to wash down the chips that served as a side in lieu of fresh Fruit at the deli counter  at the Harris Teeter which serves Boar’s Head beef bologna and The best salt and vinegar chips anywhere served politely by the shy but friendly silver Haired lady with the hair net that she wears with pride because she cares to follow the Rules and she cares too

Like we need a young man on a plane to remind us that twenty two year old adventurers
Have not had time to grow old and cold and jaded like the sad stooped man in 19B
Who doesn’t remember what time zone he is in or what his anniversary is or was before She left him for someone who remembered every year with a Hallmark card and a night Out on the town in her church dress and hose

But rather like we need rust on tin to prove there was a time of new and green
And how we live for low tide to find the rare left-handed conch brought in by the Preceding high tide, deliverer of treasures needing a hand to carry them home

And like we need a toe headed toddler who pats the sofa
With his sausage fat fingers and a nose that needs Kleenex
A diaper that weighs heavy with the need for changing
A pat, pat, pat
Slow as a metronome slow on the far left setting
And says “Read me ‘Good Night Moon’ again”
And only you know,
But don’t care that it’s the 23rd time, since Christmas
As he adds, “come sit beside me, please”

And you do.

 

 

 

 

 

 

Homebound: From Mersea To Maplehurst With Love, March 9

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Christie and I are homebound. I, a writer of poetry and prose, am bound to Mersea, a simple white Victorian, nestled in the historic district of a southern shrimping village. She is bound to Maplehurst, a red-brick farmhouse build by Pennsylvania Quakers in 1880. We are both writers, wives, and mothers, but nearly twenty years and hundreds of miles lie between us.

This season, as winter turns toward spring and Lent leans toward Easter, Christie and I are writing letters, she beneath the hemlocks and maples and I beneath the pines and pecans. We reflect together on our homebound journeys. We will explore the bonds of love and faithfulness that tie us, and not always easily, to these particular places and to the people sheltered within them.

Please join us for an epistolary exploration of love, loss and restoration.

Welcome to my third letter in the series. To read Christie’s previous letters and more of her beautiful words go to her web site, found here. To read all the letters in the Homebound Collection, visit the tab at the top of my home page, entitled The Homebound Letters.

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March 9, 2017

(From home after being away)

Dear Christie:

The brown leather sofa in the parlor is holding me with a familiar leather scented embrace. A cool night has left the house chilled, but I am warmed by both blanket and puppy. What an apt name my husband has given our sweet English Cocker whose name is Sweet. She chooses to stay by my side as I write, apparently my absence was noticed as she leans in especially close this sunny morning. Perhaps she missed me, as I missed all things familiar, all things home.

Christie, as you know I accompanied my friend to Boston for a trip to Mass General Hospital. We left on a Tuesday, returned on a Wednesday and I am back to my beloved writing on a Thursday. I am viewing home now with the lens of leaving. Leaving and returning bring many gifts, one is a newly framed perspective. I like the frame. It focuses me, like the European silver with a bit of patina that I chose to frame my son’s portrait here at Mersea.

Perhaps leaving reawakens all the senses and plants tiny seeds from the experiences within us. What seeds have I brought back which I will need to tend to and water? How will I grow because of where I have gone?

I imagine we are all being renewed daily. During this Lenten season perhaps I am more keenly aware of renewal. It feels more present and sacred this year. I long for it more deeply, and am even slowly chasing after it. Somehow I feel we are beginning to meet, change and I. She is gentle. And she is patient and willing to wait for me even as I must wait on the minute radish seeds in our garden to grow into edible radishes. I must wait for the natural process of seeds transforming into bulbous red radishes.

But it is worth the wait. For I will slice the radish thinly, place it on a thick slice of grain toast with avocado, arugula and fried egg like the one I sampled in Boston. And it will be good. A simple good that comes along as gift. Why is it that I want to slice the radish thinly so that it becomes translucent, nearly transparent? Are we called too to be transparent like the cut radish?

When I was in Boston, I tried to make it my temporary home. To be rooted there for but a blink. Graciously Boston gave good gifts. The signs along Charles Street provided a curated display of simple art. Each one, uniquely designed and hung with care outside of the shops spoke to pride of place. I walked at a snail’s pace along the bumpy and worn brick sidewalk, looking up and studying the design of each shop keeper’s home.

Rich conversation was a by product of this long journey for a bittersweet visit. The seventh floor of Mass General held both sorrow and joy. During one of our talks, my wise friend reminded me that joy and sorrow can and do coexist. We can celebrate the miracle, slivers and slices and servings of joy even while grief, sorrow and sadness are present. What mystery there is in celebrating what they each bring.

Flying looks like a metaphor for our lives. The experience felt new as I hadn’t flown in a long forever. I have lost my wanderlust. Maybe I have found other things to replace it and it is not therefore a true loss. My desire to go faraway anymore has been mostly snuffed out.

But this was an invitation to go. I wonder about all I would have missed if I had said no. What a place of honor to travel as a companion and co-traveler with my beloved friend on her journey. I call her teacher too. We have much to learn from each other about loss, love and restoration. Christie, oh how I am enjoying your letters! And you too are teaching me about important things.

On this micro-journey, as in life, we experienced delay, turbulence and frustration. But there was joy too in seeing the unparalleled aesthetic beauty of the clouds. Their shape, color and mysterious movements, viewed from a plane window are spectacular. Childlike wonder sat with me. I thought I knew how to press into looking up at the clouds from my earthbound, rooted place. But glimpsing the cotton white masses moving against an azure blue backdrop at eye level reminded me there are new ways to see everything.

And there was joy in being, just being with a friend and meeting kind souls along the way, such as the world’s coolest Uber driver. The news was good in Boston and so we are full of rejoicing. Is this a preview of what is to come at Easter-time?  We are moving in that direction, the place of newness. I hope I am ready and that I am changed.

Today I will go to the tiny post office here in the village to mail some thank you notes. I wish I could box up and mail you a package of springtime. It would contain color and hope, buds and seeds, pieces of me and Mersea. My hope for you is that it will not delay, this true and fully fledged spring.

In time we will both celebrate its arrival. Spring will come for all of us. Newness and change are the sweetest of gifts. I hope I unfurl my clutched fists to receive it all. And to allow the gift of change in me.

Peace and grace to you,

Elizabeth
Mersea

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An End, A Middle, A Beginning – Three Haiku

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An End

Traces of grey smeared
Left by Winter on the pane
She’ll be back again

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A Middle

Somewhere before moons
And sunsets the noon squeezes in
Evening, I long for you

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A Beginning

Mark new starts with Spring
Sit beside the pear tree with me
Earth’s ripe and ready

 

 

Ode To Home On The Occasion Of The Possibility of Spring’s Arrival

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Ode To Home On The Occasion Of The Possiblity of Spring’s Arrival

You have been a strong and faithful sanctuary
A well wrought port in a storm of endless
Winter polar vortices
Iron maiden made of brick and mortar
Oh yet so much more
Boldly you braced me from the wicked winter winds
Is that now in our past
Is Spring preparing us for windows open
Windex polished and shined for her new day
Reflecting your joy and mine
Like a pair of Easter white patent leather
Mary Jane’s, shiny and new
Party ready to spin and twirl and dance with
Delight in Spring’s New Light
Of Day and Day Light Savings Time

Could it be that in this year of a winter that appears
To you as bully, thief and trouble maker, pot-stirrer and
Rebel rouser
We will have a set change, a character change and a scene change soon
Oh home you and I might live to see another Spring
What color shall be plant the window boxes, bright and gay
I say Pink, you say Red
Geraniums, on that we can agree

How will be celebrate the possibility of Spring’s arrival

You, my home desire the fatted calf killed
And the silver polished
And a fresh coat of paint somewhere on your trim
You are a surviver and a hanger-oner
You took your knocks and rode out the cold
Stood head up, chin up, shoulders back

Fearless are you
Let the seasons change
And let us dress you in all your finery
And regalia
Your day has come to feel the breath of Spring
Blow across your red brick cheek
Spring is here, almost
Hold on tight, hold your breath, hold on to hope
We have nothing to fear but fear itself
Well that and that this could be the first year we skip
Spring altogether and go straight to Summer

But we, dear home
Are optimists
And we shall count on Spring
The Weber Grill and charcoal
Have waited long enough

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This poem is written in response to my friends at Tweetspeak Poetry and their prompt Ode To Home”