Gardenbound: Mersea and Maplehurst Garden Tours

Christie Purifoy and I are winding down our writing collaboration. For now. With a gardenbound garden tour of our respective homes, Mersea and Maplehurst.

Follow the link at the end of my garden tour to visit Christie’s beautiful gardens at Maplehurst. Christie so eloquently writes these words:

Elizabeth and I exchanged a few “homebound” letters over Lent. The nature of a letter is to communicate over a distance, but the season of Lent introduced other distances – there was the space between winter and spring, the break between longing and fulfillment, and the chasm, so like a tomb, between death and new life. But what is Lent, after all, but a kind of long homecoming? It is a return and a way of erasing distance.

Those who go out weeping, carrying seed to sow, will return with songs of joy, carrying sheaves with them (Psalm 126:6).

This is the meaning of Easter, and the church calendar tells us that even now, at the end of May, we are still in the midst of the long Easter season.

For Elizabeth and I, Easter has meant trading the distance of letter writing for the intimacy of a visit, first with a home tour and today with a tour of the garden. Here is our invitation to Elizabeth’s garden at Mersea.

 

 

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May at Mersea, in the garden

We are turning the pages of the chapter known as spring, here at Mersea. It is an excellent book. One I want to savor, read more slowly. I find myself both lingering on a page, reading certain chosen lines over and over again, and wanting to rush ahead to the next page and the one after that.

We have passed the point of rich pinks. We languished there a good long while. There were weeks when it seemed we were bathed monochromatically in pinks. Shade on shade of this luscious color carried us through the winter and into the birth of a true spring. We observed, no savored, the camellia, the azalea, and the fruit tree blossoms in a full spectrum of pink glory.

I am slowly learning that each season in the yard, in the soil, in the garden will bring something valuable. Something beautiful. I cannot choose favorites. The rapid renewal of growth we are experiencing here at Mersea is life-giving. If I had a favorite it would be replaced by a new favorite the very next day. On the heels of spring, if we attend well and water well, we will have a kitchen filled with vegetables. And we will know the joy of sharing with friends all summer long. Water is the key. We know there will be sunshine and we know the soil is rich. But diligently watering? That is the key to growth. That which is not fed cannot spring forth. That which is left unnurtured cannot bear fruit.

Because the camellia are at home here, they were our trumpeters of joy and hope in the middle of the cold southern winter. I marveled at their longevity and endurance this winter. There is a strong hint of the familiar in their radiant beauty. It seems that many of our well known southern flowers are like women I have known. They are marked by strength, dignity, grace, and a unique beauty.

How remarkable that the concrete things of this earth, the tangible things we can touch and smell and hold and grasp can spark our memories of flesh and blood influencers, companions, and friends. The double gardenia is one of my newest acquisitions, a gift from my dear friend Harriett in memory of my mother who died, as you know, in January. The sweetest of memorials, I planted it in the front yard. It is small now, but potent. From the front porch I can see the whiter than white of its petals. Its fragrance is spellbinding and triggers a flood of memories.

They say that the sense of smell is the strongest of all our senses. I would never argue that fact. Just celebrate its truth. One of my most vivid childhood memories is that of the gardenia blossoms in June. We’d return home from vacation and the fragrance would greet us as we opened the doors to the station wagon. A whole row, planted along the side of our gray salt box with the red door, my child hood home. This house, my formative home, was marked by clematis vine, red geraniums, and gardenia.

I walk to the gardenia in our front yard, here at Mersea, and pick its first double blossom, bring it proudly but guiltily (can they co-exist?) into the dining room and place it into a small silver vessel. My childhood attends every move and I am intoxicated by the memories and the fragrance of the now. I will always love the gardenia, and it will always remind me of southern women I have been privileged to know and call friend. Even after the petals turn from white to brown, I struggle to toss the flowers out. I hold on to them well past their peak of beauty and decide that tans and browns, signs of the blossoms’ age, are beautiful too. Because I remember them at their peak. And if I close my eyes, I can catch the the lingering smells of lovely.

My husband is the gardener, and I am the sous-chef gardener. He teaches me and I am learning by his side. Making my way, often in his shadow. I am hopeful that one day I will be a chef in the garden in my own right.

This morning he walked into the parlor after a brief visit to the garden and announced that my first gladiolas were blooming. And because he knows me well, he sweetly admonished me not to pick it yet. I want to bring indoors all the beauty of my garden. I want to select and fill my favorite vases with the color and vibrancy of spring. But waiting, holding back, being happy with them where they are planted is a good discipline for me. Sometime we pick. And sometimes we just go to them and abide where they are. There is an important balance in this. I can go to the source of beauty and just be there. Receive their gifts on their turf, on their soil. In the place where they have been planted. I am learning from my teacher, the spring garden.

From my window by my chair, the one I sit in and write most always, I have spied a magnolia blossom the size of an elephant’s ear. From a distance I have watched the blossom in the rectory yard. Yesterday I decided that it was time to snap and photograph, but as I approached the huge blossom, I saw that it was drooping and brown. I would have to rely on memory. My window memories. Seeing well the first time insures that I can remember more clearly in my mind’s eye when the blossoms have faded and are gone.

Memory serves as a beautiful keeper of treasures. I sit and recall the magnolia blossom. As as spring moves to summer in our garden, I will recall the cosmos, the zinnias, the gladiolas, and the hydrangae, as they each slowly fade. Hope will transition me into summer here. That and the squash and tomatoes, cucumbers and snow peas. We will almost grow tired of squash for dinner and tomatoes for breakfast, lunch, and dinner by the time September comes. Almost.

But now it is time to feast and to savor. To whisper prayers of gratefulness over each stem and vine and plant and stalk. And dream a little of next year’s garden. What we might add to the garden here at Mersea. And what might come to us in the days ahead, on this soil, at this place we call our home.

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Here is an invitation to Christie’s garden at Maplehurst – (Click the link to visit Christie’s writing page and gardens)

 

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Come Sit Beside Me, Please

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Come Sit Beside Me, Please

We all need a call to wake up
To attend to right now, right here
With a quorum of the senses reporting for duty
To cast their vote, for slow

Not like we need food and shelter and all the things in Mazlow’s hierarchy of needs
But, like we need poets and psalmists and prophets and spring
And two thin slices of white bread, to be soft enough to hold a thumbprint soft
So that when thick cut bologna bound with red wrapper and Dukes mayonnaise conjoin to Be pressed forward on the roof of one’s mouth, it’ll stick, (serving its white bread pre-Destined purpose of being bookends for meat) later requiring manual unsticking
And requiring two Diet Cokes to wash down the chips that served as a side in lieu of fresh Fruit at the deli counter  at the Harris Teeter which serves Boar’s Head beef bologna and The best salt and vinegar chips anywhere served politely by the shy but friendly silver Haired lady with the hair net that she wears with pride because she cares to follow the Rules and she cares too

Like we need a young man on a plane to remind us that twenty two year old adventurers
Have not had time to grow old and cold and jaded like the sad stooped man in 19B
Who doesn’t remember what time zone he is in or what his anniversary is or was before She left him for someone who remembered every year with a Hallmark card and a night Out on the town in her church dress and hose

But rather like we need rust on tin to prove there was a time of new and green
And how we live for low tide to find the rare left-handed conch brought in by the Preceding high tide, deliverer of treasures needing a hand to carry them home

And like we need a toe headed toddler who pats the sofa
With his sausage fat fingers and a nose that needs Kleenex
A diaper that weighs heavy with the need for changing
A pat, pat, pat
Slow as a metronome slow on the far left setting
And says “Read me ‘Good Night Moon’ again”
And only you know,
But don’t care that it’s the 23rd time, since Christmas
As he adds, “come sit beside me, please”

And you do.

 

 

 

 

 

 

Homebound: From Mersea To Maplehurst With Love, March 9

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Christie and I are homebound. I, a writer of poetry and prose, am bound to Mersea, a simple white Victorian, nestled in the historic district of a southern shrimping village. She is bound to Maplehurst, a red-brick farmhouse build by Pennsylvania Quakers in 1880. We are both writers, wives, and mothers, but nearly twenty years and hundreds of miles lie between us.

This season, as winter turns toward spring and Lent leans toward Easter, Christie and I are writing letters, she beneath the hemlocks and maples and I beneath the pines and pecans. We reflect together on our homebound journeys. We will explore the bonds of love and faithfulness that tie us, and not always easily, to these particular places and to the people sheltered within them.

Please join us for an epistolary exploration of love, loss and restoration.

Welcome to my third letter in the series. To read Christie’s previous letters and more of her beautiful words go to her web site, found here. To read all the letters in the Homebound Collection, visit the tab at the top of my home page, entitled The Homebound Letters.

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March 9, 2017

(From home after being away)

Dear Christie:

The brown leather sofa in the parlor is holding me with a familiar leather scented embrace. A cool night has left the house chilled, but I am warmed by both blanket and puppy. What an apt name my husband has given our sweet English Cocker whose name is Sweet. She chooses to stay by my side as I write, apparently my absence was noticed as she leans in especially close this sunny morning. Perhaps she missed me, as I missed all things familiar, all things home.

Christie, as you know I accompanied my friend to Boston for a trip to Mass General Hospital. We left on a Tuesday, returned on a Wednesday and I am back to my beloved writing on a Thursday. I am viewing home now with the lens of leaving. Leaving and returning bring many gifts, one is a newly framed perspective. I like the frame. It focuses me, like the European silver with a bit of patina that I chose to frame my son’s portrait here at Mersea.

Perhaps leaving reawakens all the senses and plants tiny seeds from the experiences within us. What seeds have I brought back which I will need to tend to and water? How will I grow because of where I have gone?

I imagine we are all being renewed daily. During this Lenten season perhaps I am more keenly aware of renewal. It feels more present and sacred this year. I long for it more deeply, and am even slowly chasing after it. Somehow I feel we are beginning to meet, change and I. She is gentle. And she is patient and willing to wait for me even as I must wait on the minute radish seeds in our garden to grow into edible radishes. I must wait for the natural process of seeds transforming into bulbous red radishes.

But it is worth the wait. For I will slice the radish thinly, place it on a thick slice of grain toast with avocado, arugula and fried egg like the one I sampled in Boston. And it will be good. A simple good that comes along as gift. Why is it that I want to slice the radish thinly so that it becomes translucent, nearly transparent? Are we called too to be transparent like the cut radish?

When I was in Boston, I tried to make it my temporary home. To be rooted there for but a blink. Graciously Boston gave good gifts. The signs along Charles Street provided a curated display of simple art. Each one, uniquely designed and hung with care outside of the shops spoke to pride of place. I walked at a snail’s pace along the bumpy and worn brick sidewalk, looking up and studying the design of each shop keeper’s home.

Rich conversation was a by product of this long journey for a bittersweet visit. The seventh floor of Mass General held both sorrow and joy. During one of our talks, my wise friend reminded me that joy and sorrow can and do coexist. We can celebrate the miracle, slivers and slices and servings of joy even while grief, sorrow and sadness are present. What mystery there is in celebrating what they each bring.

Flying looks like a metaphor for our lives. The experience felt new as I hadn’t flown in a long forever. I have lost my wanderlust. Maybe I have found other things to replace it and it is not therefore a true loss. My desire to go faraway anymore has been mostly snuffed out.

But this was an invitation to go. I wonder about all I would have missed if I had said no. What a place of honor to travel as a companion and co-traveler with my beloved friend on her journey. I call her teacher too. We have much to learn from each other about loss, love and restoration. Christie, oh how I am enjoying your letters! And you too are teaching me about important things.

On this micro-journey, as in life, we experienced delay, turbulence and frustration. But there was joy too in seeing the unparalleled aesthetic beauty of the clouds. Their shape, color and mysterious movements, viewed from a plane window are spectacular. Childlike wonder sat with me. I thought I knew how to press into looking up at the clouds from my earthbound, rooted place. But glimpsing the cotton white masses moving against an azure blue backdrop at eye level reminded me there are new ways to see everything.

And there was joy in being, just being with a friend and meeting kind souls along the way, such as the world’s coolest Uber driver. The news was good in Boston and so we are full of rejoicing. Is this a preview of what is to come at Easter-time?  We are moving in that direction, the place of newness. I hope I am ready and that I am changed.

Today I will go to the tiny post office here in the village to mail some thank you notes. I wish I could box up and mail you a package of springtime. It would contain color and hope, buds and seeds, pieces of me and Mersea. My hope for you is that it will not delay, this true and fully fledged spring.

In time we will both celebrate its arrival. Spring will come for all of us. Newness and change are the sweetest of gifts. I hope I unfurl my clutched fists to receive it all. And to allow the gift of change in me.

Peace and grace to you,

Elizabeth
Mersea

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An End, A Middle, A Beginning – Three Haiku

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An End

Traces of grey smeared
Left by Winter on the pane
She’ll be back again

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A Middle

Somewhere before moons
And sunsets the noon squeezes in
Evening, I long for you

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A Beginning

Mark new starts with Spring
Sit beside the pear tree with me
Earth’s ripe and ready