The Bowing Out

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The Bowing Out

It started as a slow waltz
Front porch rocker, book in hand
Slow
Friend to the left
Friend to the right
Sun up
Cool breeze
The dance was an old soul
Disguised by youthful ignorance

Someone turned the volume up
The metronome cranked up too
Warped speed
Weary-making, manic the music
Syncopated beat
Too fast, too loud the pace
The rate, the chatter, and the speed

She bowed out for a bit
Dove under the water to the ocean floor
The one of wet and cleansing grace
She swam down where the sediment sits
To sift and filter, like a sieve
Her mermaid tail was all she’d need
To rest on the muddy bottom in the dark
Muted and muffled is the world
Down
Down
Down there, on the bottom of the sea

She swam under the radar’s rays
Away from the burning sun’s
Rays too
For forty days and forty nights
She swam alone
To think and pray
And consult her muse

There in a sapphire pool
One colored in redemptive rest
Her dance shoes parked
Up on the bank, in the dirt
Exchanged them for
An emerald green
Bronze and azure blue
Mermaid tale, custom made for
Her

It wasn’t so much that her feet
Were blistered, tired or sore
Or had been stepped on by the
Other dancers out on the
Over-crowded floor

She feared she’d stepped on her own
Self-inflicted, friendly fire
And maybe another one or two
On the floor
It was best now for her
To swim alone

She told me her story before
She dove deep down
And asked me to tell you too
The woman swimming in the deep cool
Sea of  salty turquoise seas
The ones which will restore her
Soul
And heal her dancing feet
She’d like to bow out
With dignity and grace
And if you were wondering
She took her blessed muse

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Sepia Tones

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Living slow, writing fast

It was more of a feast than a fast
Living slow, slowly living, lead to writing
Fast
The comma and correct grammar mean everything,
Change the meaning in a New York minute
But this is poetry
I digress
Then go came along

A distant cousin to wait
And then the cold
Which was more like an artic covering

Margins grew wider
Yet like the moon
Poetry waxed and waned

And then in the slow fade
Of the day
Words fueled more words
Infusion of encouragement
Stoked the flame
More hat tips
And head nods
A symphonic explosion
Of pure unadulterated
Grace

And surprises
Peek-a-booed into her soul
And in the shadows she
Began to see

A poem
Neither slow nor fast
But traveling just right

And in the sepia tones
She found inspiration
Dancing in the shadows of the roman shade
Of  light
That whispered stop and stare
There is poetry in the window
There
Framed
There are lines that
Need a home

And the muse he whispered:
You will find a
Poem shivering, cold
And waiting there
Penned like hieroglyphics
Piercing through
By light of day
Blanketed by quiet
Wintry air

A poem raises
Up her golden brown
And faded head
In tones of sepia
Freshly inked
Nuanced meanings
There

Living slow, writing fast.

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Responding to the poetry prompt, sort of, from the creative folks at Tweetspeak Poetry “How To Read Poetry” #howtoreadapoem in celebration of the release of Tania Runyan’s latest book “How To Read A Poem”

Remembering Pink Among The January Blues

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Remembering Pink Among The January Blues

Cold crawls down my throat
And freezes deep
Among two winter-laced lungs
Hope frozen but for
A moment
Thawed by the chambers
Of a rapid beating
Heart, pumping, forcing
Red, shaded crimson
Rises to my cheeks
And to my nose
And colors
Pink the tip

And I
I purse my lip
Just like the winter
Bloom

And I am
Slowly
Thawed, outside and in
By warm remembering

Of faded valentines
Bows
Posted on the mailbox
Declaring that a daughter has been
Born
Of salmon rushing up stream
Against all odds
And flannel p.j.’s worn
In college
Days of shades of
Pink

And every year she comes
When hope is all but lost
She pushes through the cold
And frost
And hangs a hundred blooms
Whispering that Spring
Will come, it always does

And thaws the coldest soul
Stuck in the middle of
A million signs of
January
And her deepest
Shades of blues
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The Noticer

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The Noticer

It was in the fall that I noticed. Again. But it was different this time. The yard had been raked in a suburban monochromatic sweeping. Overly antiseptic. The way the neighbors might  approve. But in a way that appears boring. Void of creativity. The kind spilled out from heaven. Released, unfurled by the hand of Artist God.

And it was then that I noticed. The brushing aside. Made manifest in my yard. A physical representation in the form of dead leaves. Brittle. That heart of God on my yard. The mosaic, the fallen tapestry of gold, sienna, burnt orange pieces had been raked up. Msn moved the art of God. There on the canvas of my autumn day, a mosaic laid in love was moved in uncaring haste. To sanitize. To bring man-made order.

The leaves had fallen just so, placed, by a holy hand. The Creator had, was it by design, offered a masterpiece of autumnal muted hues, surrounding me with glory come down. And we, in an effort to re-create our own standard of beauty, had brushed it aside. It was then that I noticed. What a mistake the rearranging might have been. I saw, what it feels like to be invisible.

To be brushed aside.

And I am touched by holy noticing, once again.

Thankful for the nuances of ordinary life. The subtlety of beauty. And the generosity of the Giver. And the gentle reminder, to notice.

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Joining Jen at SDG

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