A Confessional: Why I Write Imperfect Poetry ( & Prose) – Part One

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Sunday feels like a good day to write a confessional blog post. And when you tell another writer you are going to write said piece, you have some built in accountability. AKA, there is no turning back. I told Esther on Voxer that I was working on this in my head. That I was trying to get it out on paper or on a screen. Anywhere but inside of me.

I am sitting in a wicker chair. One that holds me like cupped hands. The mountains present themselves before me, like a movie screen painted and prepared for an audience. Artificially beautiful. But realer than real. And I am down the road from the church I attended this morning, as a guest. I can still smell the holy and hear the hallowed hymns. The stone and wood and worship linger in the air. My soul feels a lingering in the confessional we spoke. I prayed for the church today. It feels like a particularly important time to come clean.

I am not a great poet. I am not a great writer. I don’t know where I am in the bell curve of learning and honing my craft. But honestly, I am just a mediocre writer at best. But I have the fire in my belly and a passion under the folds of my wrinkling skin to write. Hiding out is an option. Always.

Giving up is always an option. I have an old computer which I could heave over the side of the mountain and life would go on. (Poetry is all about specificity. I would tell you just how old this Mac is but I truly do not recall….it is THAT old.) See the ellipsis back there. That is a taboo in the guidebooks of some writers.

Let’s face it. You can go other places for richer writing. Poetry, certainly, which shows more and tells less. Words that reach deeper with less adverbs. Lines which travel deeper into the beautiful. Verses which sing sweeter and lift you higher into the holy.

But my craft and my art are simply dressed in their everyday ordinary. I am honing and grooming them. Hoping for leaps of growth. Trusting that I will not remain in my writing where I reside this day.

But honestly. I am flawed as a writer. Imperfect. But I am flawed as a parent. Imperfect in my mothering. And certainly I fall short as a daughter to a mother suffering from dementia. My house could be cleaner. My food burned less often. My time spent more wisely. My morning devotions  could be longer.

But grace attends me when I write and when I breathe and live. And tells me to continue. No, encourages me to press on. Perfecting my imperfections.

My mother has dementia. Often her speech borders on faint mumbling. But I listen. I would not stop. She has something to say. And she is alive and living and wants to enter in. To tell what she sees. How this life feels and  how it smells. She wants and needs to process her living.

And so do I.
And so I write imperfect poetry. And prose
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Please join me tomorrow for Part Two.

The Witness

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The Witness

It was deemed that I was worthy
I took a vague vow of bearing
That my senses would capture
Catalogue the beauty
Override the pain
War analogies make me weary
(Messy mirror of the bloody real thing)
And yet, I am suited up, armed and ready
Battling as correspondent in the middle
Of this war
Rallying, as a witness
Recorder of the beauty
Crying out
I swear to tell the truth
There is beauty in the pain
Hope with me
We were called to tell these stories
Joy will not die, shattered
Scattered on the cynic’s broken

Battlefield

The witnesses remind us
Hand raisers, promising to tell nothing
But the truth
Hallowed is the ground where beauty lives
Buried are the memories
Mercy holds an olive branch
White flags fly from pole and post
My eyes have seen the glory

The Shed

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The Shed

Disproportionate well-spring
Storehouse of must and thought
Archivist of these lives
Ours and theirs
Cataloguer of tools and nouns
Poetry caught in the corner webbing
Holding abundance, simply enough

Adequate, wooing me within her womb
I look within
Diminutive doll-sized dwelling
Comforter with your economy of scale
Dimensional minimalist
Tell me how you live

Show me how the scale of life
Matters, not at all
Humble symbol of the meek
I seek to place my faith
And write
My poetry
And prose

lead by God and you

Inside of these dark walls
Dank and cool

in earshot of the wind chimes and the rooster crows
I can hear the beans grow

And smell the purple basil

caught up in the seaside breeze

carried on the shore-bound wind

If I stretch my nostrils and sit beside the open door
The Queen Ann’s lace waves at me
Lavishes me with praise of day
Compress my words into their lines
And form my writing
In a spartan space

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Latin, Pooh and You

POOH

Latin, Pooh and You

My what strong genes you have
Tethered am I to you
By DNA
Born into your love for Latin and Pooh
Child of nearly another, child
Your words came to you, then, started their great exodus
Early
Dementia is mastering the art of thievery
We’ve drawn swords
Suited up for the battle
We rise up in tandem
Fight it off and hold on to syllables, dim and faded
Stammering and garbled
Eloquent elocution, always
Grammatically correct until the end

I’ve accepted the passing, in the twilight, not the dawn
Complicated
But the baton is here
(I confide often, blush at my age, late blooming wanna-be poet,
Fighting off shame)

My what strong love you have
Leaving breadcrumbs, poetic syllables
In your life’s wake
Marking the trail
Leading me beside the still waters
Leaving our time by the raging sea
See
I have learned to listen
To poetry and you
And to love Flannery and her peafowl
(I named a Black Maran after you)
Some things you tend to forget
But these are branded into the everlasting
World without end
Amen
Pooh, Latin, poetry, and Maggie the Black Maran hen