The Beauty Of Repetition – A Story of The Bats

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Thank you for joining this journey of poetry, prose and photography. To follow the series click here for all posts in Postcards From Me — #write31days
Grateful to have you along on this 31 Day Writing Challenge. You breathe joy onto the pages here as you accompany me on this journey.

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The Beauty of Repetition – A Story Of The Bats
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Good Night Moon for the two hundredth time
Crispy fried chicken from the colonel from Kentucky
Hot macaroni and cheese
Orange or yellow, boxed, or home made
And a glass of cold milk at bedtime
Cheek on cold pillow
Rhythms and patterns, the labyrinth of life

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I start out to gather my words, herd them into a poem. They said, “no can do”. My words talk back to me. They can be headstrong like that. I know they won’t conform to my poem so I give them up and open the field of prose. Let them run wild and free.

I think they like it there sometimes where there is more openness, where it is wider, bigger more like South Dakota. A lot of space to stretch and breathe. And be the words they were created to be. With less fence lines and gateposts and cattle gates with locks.

Plus, it is difficult to write about bats in poetry. Unless you are Billy Collins or some other very creative and poet laureate-esq writer. Because the words, patterns, memories, recollections that have tried to form a poem have put their collective feet down and said “tell this in prose.” I assume your words talk back to you in a similar way.

She keeps telling the bat stories over and over again. And we laugh and feign misery and say”no not again, don’t tell the bat story.” And then we spell as if she can’t and say, here comes the b-a-t story again. Being a child and being an adult are not that dissimilar. Familiarity is comforting. And patterns are guideposts to our living.

Repetition comforts. Pattern calms. Tradition and customs and pilgrimages restore our souls with the balm of the familiar.

I walk to the spring and stop. Stare at the water trickling down. Measure with an invisible yardstick in my memory. Check to see if the water is coming from the spring in a rapid or slowing rate. Twenty something years of going to Wynne Lithia Spring and it’s new every single time. The beauty of repetition restores me. I stop and lose myself in the beauty of the spring. And remember my memories of this place. I have stockpiled them. Hoarded them. Hold them tight.

She asks me if I have read this book, the one in her hand, the one by Flannery O’Connor. And I say yes parts, until I realize it is a different Flannery O’Connor book. And I remind her of the author’s love of peacocks. Thinking we’ll discuss the short stories with tales of the peahens and peabiddies. And she said yes, “I see that now in technicolor on television.” And I haven’t a clue. Until I catch up with her mind and her world and where she has gone. She is not in the room. Her look is far away. Empty. Vapid.  And I am lost.

Dementia is a game player. One moment we are discussing Flannery O’Connor and the next she is remembering NBC’s early logo from the television of her youth. I go there, with her, in my mind. And follow this trail to her past. Where I learn. And revisit. And uncover. And secretly wonder about this place of distant remembering that she goes to brush off the dust and bring back a treasure from her past.

I was thinking of O’Connor’s beautiful peacocks, her beloved peacocks from her youth. Mother was thinking of NBC. As the crow flies, they aren’t that far away. You  must learn the language of dementia before you can communicate with it’s strange dialect. The nuances. The subtleties.

We cross our legs in laughter. Red faced and breathless. The bats came walking into the powder room one day as she sat there. Stunned. Amazed. Bewildered. And then they came from the bookcase during another time in her life. We zig zag through the stories of the bats. And where do all these bats come from. And why is there a series of unfortunate bat stories in this family. And aren’t we all a little batty anyway.

There are other “bat stories”. No not stories of bats. But ones she repeats. The stories of her youth and childhood. The ones that are emblazoned there in her mind. She grabs the photo album. We sit down side by side. And she shows me the pictures of us again. In Boston. I am two.

And I savor her narrative of this faded photograph album.

And listen to her telling of us.

As if it is the first time. Because like my visits to the spring. Her stories are always welcome and new. With an added piece of herself, folded into the telling. And if I listen with the ear of a child, I will walk away, wiser. Changed.

By the beauty of the repetition. And dementia loses another battle. And we are winners, again. We beat back the dark and stand in the light. And say “Wonderful story, mother. Tell us again.”

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Ode To Home On The Occasion Of The Possibility of Spring’s Arrival

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Ode To Home On The Occasion Of The Possiblity of Spring’s Arrival

You have been a strong and faithful sanctuary
A well wrought port in a storm of endless
Winter polar vortices
Iron maiden made of brick and mortar
Oh yet so much more
Boldly you braced me from the wicked winter winds
Is that now in our past
Is Spring preparing us for windows open
Windex polished and shined for her new day
Reflecting your joy and mine
Like a pair of Easter white patent leather
Mary Jane’s, shiny and new
Party ready to spin and twirl and dance with
Delight in Spring’s New Light
Of Day and Day Light Savings Time

Could it be that in this year of a winter that appears
To you as bully, thief and trouble maker, pot-stirrer and
Rebel rouser
We will have a set change, a character change and a scene change soon
Oh home you and I might live to see another Spring
What color shall be plant the window boxes, bright and gay
I say Pink, you say Red
Geraniums, on that we can agree

How will be celebrate the possibility of Spring’s arrival

You, my home desire the fatted calf killed
And the silver polished
And a fresh coat of paint somewhere on your trim
You are a surviver and a hanger-oner
You took your knocks and rode out the cold
Stood head up, chin up, shoulders back

Fearless are you
Let the seasons change
And let us dress you in all your finery
And regalia
Your day has come to feel the breath of Spring
Blow across your red brick cheek
Spring is here, almost
Hold on tight, hold your breath, hold on to hope
We have nothing to fear but fear itself
Well that and that this could be the first year we skip
Spring altogether and go straight to Summer

But we, dear home
Are optimists
And we shall count on Spring
The Weber Grill and charcoal
Have waited long enough

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This poem is written in response to my friends at Tweetspeak Poetry and their prompt Ode To Home”

How To Read A Poem, If You Please, And Thank You

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Rules would be ridiculous
So there are none
But there are crumbs
Leave them, please
For the next connoisseur
Of words
Traveller rambling line by crooked line
Wanderer down the poetic way
She’ll
Turn the page and walk this way
Past lines, and rhymes and such
Into the labyrinth, around each
Turn of phrase.

Tempting it would be
To stumble on a word you love
Place it to your lips
Smell and see
How it tastes, all salt and peppered up
Rolling round your
Pink and bumpy tongue
Sliding up against
Your wet red gums
Salivating now are you
Tempted by words of poetry
Imagine now
And
Chew on a hearty simile or metaphor
Worry not, they’re gluten free
But stay away from rhyme
They’re high in calories.

But resist the urge to take the words

Leave them there
Wrapped
In love
Placed  by design
For those who come
After us
Signposts, mini compasses
We left our words
A banquet for the generations
The next one and the next one after that
Napkin in your lap
Not necessary, inhale the poems
Laying there
Rules would be dumb
So there are none

Relax and breathe
You have all you need
To ingest
Each conceit
Metaphorically I speak

Oh but won’t you be courteous
Please
And be gentle with the poetry
Whittled by the hands of writers
Verse by fragile verse
Poured from dripping sweat and blood
Literally I speak

Turn around and go back home
Following the trail, the way you came
But
Go back through a second time
You missed a lot on that first pass
And please tell others that they are
There
Waiting
Patiently in the dark and lonely woods

If a poem speaks
In the forest dark and deep
With no one there to hear
Don’t interrupt
That would be quite rude

It is alright with both
The poet
And the poem
If no one’s there to hear
This has happened at least once
Or twice before
But, a
Thank you would be nice

There are no rules
Just manners
Crumbs
And meaning hidden nicely there
Within
And this is how you read a poem
If you please, and thank you.

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Joining the creative folks over at Tweetspeak Poetry with this poem inspired by the prompt #howtoreadapoem. Celebrating the release of Tania Runyan’s new book “How To Read A Poem” published by TSPoetry Press.

The Reinvention of Cliches

The Reinvention of Cliches

Blow with me new life into the old stale words
Jump start the broken-down rust heap on the side
Of the road
Propped up on bricks
That is language we left for dead

Re-energize the turn of phrase that is stale
As an old loaf of white bread
That lost its twisty tie-y top
Corners blueing
Left for dead

And just because it’s cliche
Is it false
I would stand on the corner of Broad and Main
Placard in hand
Proclaiming the degrees to which
I loathe cliche

Pitiful they were in my sight
Perhaps It is time to
Re-think
Some of my favorites
Need a second chance.

Starting today
With thinking outside the box
And low hanging fruit
And the tip of the iceberg

Some of these are as old as the hills
I know
And I am frightened to death to even
Suggest to you that
Every cloud has a silver lining
Or that time heals all wounds

Only time will tell if there is
Merit to this

Maybe on second thought
Lemons from lemonade should stay
Dead and buried.

Maybe all bets are off
Afterall
On this idea

On second thought
Maybe I
Always look on the bright side
And am blinded by the light

When really what I had in mind
Was saving the phrase

Simplicity is the ultimate sophistication
And keep it simple stupid
And simple is best
And necessity really is the mother of invention

And then again
Maybe banging one’s head
Against a brick wall
Is better left for dead.

Along with other
Blasts from the past

I was wrong
To try to build a better mousetrap
Hoping the world would  beat a path to my door
I cry uncle
And crawl sheepishly

Back to the drawing board.